Inspired
by the Flag
Fort McHenry’s new visitor center
will lift all eyes to the Star Spangled Banner
by Cynthia Young
Contributing Editor
Summary: GWWO
Inc./Architects of Baltimore recently unveiled plans for a
new 17,200 square-foot visitor center for the Fort McHenry National
Monument and Historic Shrine in Baltimore Harbor. The graceful
new building, scheduled to begin construction in 2009, takes its
inspiration and curved shape from the defiant American flag that
flew over the fort and survived the 25-hour British bombardment
during the War of 1812—the Star Spangled Banner.
Francis Scott Key,
an attorney and poet, was watching from a ship anchored in Baltimore
harbor when the British barrage on the fort began on September 13,
1814. After a night illuminated by the “rockets’ red
glare,” the next morning Key was surprised to see the red-
and white-striped banner still flapping proudly over the fort. He
was so inspired he sat down and wrote the poem “Defence of
Fort McHenry.” Later, the popular poem was set to an old song,
and, in 1931, became America’s official national anthem.
The new Fort McHenry visitor center is designed to evoke the spirit
of the American flag and the patriotism of that dramatic night. The
new center’s sweeping, curved lines, building materials, and
open interior spaces are meant to celebrate the birthplace of America’s
national anthem and to educate and inspire its visitors. The center
will focus visitors on the fort and the flag flying above it.
The building will boost the site’s capacity to handle three
times as many visitors. The center’s east and west elevations
contain floor-to-ceiling windows, which will fill the lobby and exhibit
areas with natural light. The center will offer expanded reception
and orientation areas, provide efficient retail and office spaces,
add flexible program and lecture space, enhance visitor flow, and
immerse visitors in a stirring theatrical audio-visual experience.
“The current building was built to handle 250,000 people annually.
Now, we have 620,000 visitors, and as we plan for the War of 1812’s
bicentennial, there will be a bubble of 750,000 visitors,“ says
Gay Vietzke, superintendent of the Fort McHenry National Monument
and Historic Shrine. The current center cannot meet visitation demands,
and last year 30 percent of school groups had to be turned away. “We
wanted a building that gives visitors a positive experience, which
sets the scene and gets visitors excited about seeing the real building
itself,” says Vietzke.
Creating meaning and movement
“The building represents the dynamic movement of the flag,” says
Alan Reed, AIA, president and design principal of GWWO. ”As
you move around the visitor center and see the building from different
angles, it is meant to give a sense of motion.”
GWWO also designed the new center to focus on the flag flying over
the fort. “The building’s brick wall slopes upward, taking
the eye up to the flag that flies over the fort. The visitor center
and the flag are engaged in a dialogue,” says Reed.
“We realized the flag was really the center of the story of
Fort McHenry,” explains Reed, of discussions held with focus
groups and the National Park Service, which runs the site. “We
talked about what the flag means. Everybody has personal and emotional
reactions to the flag.”
The new building literally connects the flag and the meaning behind
it in its own walls. The front elevation is composed of two walls
differing in height and angles, one of brick and one of copper, representing
the flag’s red and white stripes. The solid brick symbolizes
the hardiness and valor associated with the banner’s red stripes.
The thinner, more delicate copper façade expresses the purity
and innocence associated with the white stripes. The difference in
height and the opposing slants of the walls suggest a sense of motion,
and as the copper wall recedes from the brick façade it directs
the eye upward toward the banner.
Landscaping design by Mahan Rykiel Associates of Baltimore complements
the center’s curving lines with arcing pathways and paving
patterns, along with plantings of differing heights that lead visitors
to the entrance and then up to the fort.
The drama of revealing the fort
The center focuses visitors’ eyes up toward the fort, yet once
inside, strategically placed windows will give only fleeting glimpses
of the structure. ”We don’t want people to see the fort,” mentions
Reed. “It is all part of the drama of unveiling the fortification.
Once they enter the building, the tall, thin windows will only give
you glimpses of parts of the fort and escarpment. This teasing builds
on this emotional experience.”
Inside, after perusing carefully selected artifacts and exhibits,
visitors will be immersed in a dramatic audio-visual program when
the exhibit gallery will come alive with the sights and sounds of
the Battle of Baltimore.
“We tried to put people in the position of being Francis Scott
Key,” says Bill Haley, partner and designer with Haley Sharpe
Design of Falls Church, Va., and the United Kingdom. “Visitors
go into this space and suddenly the space will transform into seeing
the inspiration for Key’s poetry.” In the conclusion,
the national anthem will play, and, beyond the windows, the fort
and the flag flying above it will be revealed. “It makes it
more dramatic and alive,” adds Haley. “At the end of
the day, it’s a story that has a profound message—it
is a powerful piece of poetry and music.”
“It is an emotional moment that gets right at why the flag
and the anthem are potent symbols for most Americans,” agrees
Vietzke. “It sets people up to see the real resource, to go
to the historic fort and stand at the base of that flagpole.”
The center also features two entrances on opposite sides to accommodate
visitors who arrive by land and by sea. A water taxi delivers 20
percent of the site’s visitors from the harbor, yet most visitors
enter from the land side of the stronghold’s peninsula. To
connect both entry points, GWWO created a lobby that runs through
the building and that also frames the view. “Now, people can
stand in the lobby and look down to where Francis Scott Key was,” says
Reed. “In the future, park rangers will be able to point directly
to where he was located.”
GWWO also helped restore Fort McHenry in the early 1990s, so the
firm was familiar with the site. They repaired crumbling escarpment
walls, monitored water damage and cracks, and waterproofed underground
structures. During the restoration, the fort stockpiled large amounts
of custom-made bricks, replicas of the historic bricks making up
the fort’s walls. Those bricks will be used in the new visitor
center.
The new visitor center will be constructed outside of the cultural
landscape, away from the 1814 reservation boundary, at the east end
of the existing parking lot, and the present visitor center will
eventually be demolished. |