Projects of Note | |||||||||||||
Design Sometimes Is "Child's Play" | |||||||||||||
by Tracy F. Ostroff Associate Editor |
|||||||||||||
The DuPage Children's Museum, Naperville, Ill., started out as anything but an exhibition for young people. Peter J. Exley, Architect, and Nagle Hartray Danker Kagan McKay Architects Planners Ltd., transformed the buildingoriginally the site for a commercial lumber companyinto an inviting place for exploration and learning. New life for an old
yard Working closely with the museum staff and city officials, the design team developed a comprehensive master plan, which provides for future growth, connections to mass transit, and accessibility for people with disabilities. The recently completed phase one renovation and build-out represents the culmination of five years of site acquisition, design, and building modifications necessary to convert the existing structure into an inviting and safe environment. Plans for the second phase of the building call for an additional 23,000 square feet to be added to the facility, including a new entry "house." Other major additions will include an interactive ramp that will connect and activate the interior spaces in three dimensions and a roof terrace for sculpture and outdoor exhibits and events. Collaboration was the key to the success of this project. According to information provided by the architects, Peter Exley, AIA, had done consulting work for the museum and NHDKM, an older and larger firm, had worked extensively on similar projects. NHDKM could have done the project alone, but "Peter Exley and Howard Kagan, AIA, an NHDKM principal, have known each other for many years both personally and professionally, and have developed a mutual respect that seemed headed toward doing something together. The museum was that 'something.'" As the building was brought up to code, the designers and museum staff placed a heavy emphasis on recycling and reuse, themes they wanted to impart to the children who visited the museum. The big red door The building uses symbolism and imagery to engage its young audience and the community. Its "Big Red Door," or entrance to the museum, has become the museum's new graphic identity. "It's an emblem of what we stand forbecause we are opening doors for children," Susan Broad, the museum's executive director said. "We wanted to create an identity to change the building from a retail lumber building to a building that plays an important civic role, owned by children and the people in their lives," Exley said. The design team also met with staff and outside arts, education, and science advisers. With their limited budget, they worked to create excitement and stimulation through materials, forms, and textures. Twenty different colors of paints and subtleties of patterns engage children passing through the museum's several learning areas. The dynamic palette serves as a reference and helps define each space. The architects also provided "sweeping views allowing parents to keep a watchful eye." "Creating a colorful, joyful environment shouldn't
impact the budget any more than a drab one," the architects note.
They say the museum is filled with design details that make it uncommon.
For example, where as a red door, like the main entranceway, is a welcome
sign, a blue door might be more utilitarian, hiding a storage closet or
staff space. Other exhibits include: Copyright 2002 The American Institute of Architects. All rights reserved. |
|
||||||||||||